Paul_Steunebrink wrote:Do I understand you correctly when I Say that the colors in CO7 are fine, but the processed (exported) file is not? How do you view the processed file?
Ian3 wrote:It is possible that the camera's auto white balance is confused at times. I find that I rarely get good colours when I take photos in a wood for example (on a Nikon D7000). Is it possible to take some photos of the dog say with a piece of white paper by it, or a grey card, or something that is a known neutral grey? Then adjust that photo in C1 using the eye dropper on the neutral object. That way you know you have the colour balance right. What does the colour of the dog look like then?
Ian
Keith Reeder wrote:I've noticed - and mentioned here - that for a long time now, newer cameras profiles all seem to be biased towards warm red/orange: it's the Capture One "look".
Two options: create a new default profile with the reds pulled back a bit; or use an older camera profile (maybe the D300 profile?) which will probably have less of a warm bias.
This latter option works for "Express" users too, and once you've found a profile that suits, it's easy enough to rename it (via the computer file system/OS) to become the default for the D7000.
(Added: ah - seems you've found the same solutions yourself!)
The ICC profiles are just ICC profiles: everything else like default NR etc. is Exif/camera ID-based.
Peter wrote:So, if I understand these exchanges correctly, it is now accepted that Cap1 output colours are not only out of step with other raw converters...
NNN635103620282925392 wrote:You know the light falloff slider. Is it the same thing as the Vignetting slider in Lightroom (not the post crop one)?
Am i also right in believing that Capture One automatically under the hood knows which values to play with for any given lens at any given aperture etc., and sliding this slider to 100% is the same as totally & accurately removing the vignetting caused by the lens (but no over correction). In other words, if i don't like the natural vignetting that any lens will produce for any of my images can i just whack this slider up to 100% for every image?
This effect is most common with wide-angle lenses that are used with a wide-open aperture. If you have a profile for your lens, set the amount to 100% to get a completely flat and even looking image. Otherwise, use a generic profile and manually set the desired amount with care.
NNN635103620282925392 wrote:I've made 3 rough outputs from 3 different processing programs (note: all I've done is adjusted the white balance via a white card next to the dog). I've used Capture 1 Express 7, Capture NX-D (from Nikon), and Lightroom 4
I've uploaded them to my Microsoft OneDrive, if anyone wants to view them:
https://onedrive.live.com/redir?resid=F587D73C02F4DBBB!9936&authkey=!AJLIYl43SmGvf2k&ithint=folder%2cjpg
Thanks
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